Incantation


A crow curbside
its head unknown
mis-taken for
fashioned
black snow


I chant Sanskrit
prayers not of words
alone over
budded flight
downed by wind
black velveteen blood
black skin
feather: tuft of bird
wing
missing
the presence
of the previous
you present within me


The sky – I tell you
is a chute to
reign us in


Consort

I find your hair flossing my books
and read what you have marked aloud
this arbitrary paragraph
this phrase never meant to be read
in isolation
I pause to inhale
and remember the smell of your neckline and sweater
the smell of this book cracked to a page
where you have been and within this sentence
you are present, but something is off
my head shakes at its erring,
up there with - getting my socks wet
they’re wet now actually,
a cause for removal

The books are abandoned
bare flesh paddles tile to the dryer
hands sift through a drum of incomplete thoughts
I wonder if this is similar
to where you ended up
or where I'm stuck

I crawl into the cavity
that filled your chest
I am abandoned – no – I am searching
for dry ones without holes,
searching for consorts
in a padded room

I am awake as the world sleeps on,
or perhaps I slipped into another world
where the only present is I,
where everyone is milling about outside
and I took the shuttle
I apologize. I could not stay

I push the silent books
away from me,
dangle socks side by side
one will fall off while I sleep
but they are close enough




Defense of Irrational Rhythm

I see the fault
in my logic now
to think that,
since you listed off a bunch
of shit bands, you were sure
to like mine instead
because it’s better

I explain this – my dying
art of independent song construction
of lopsided refrains
interludes without a lifespan
rhapsodies, perfect
in their irregular shape

And when I hit this chord—
the lights turn on
and this note
when I sing it in conjunction
with that minor there
everything turns black
for about two seconds
and then the refrain comes back
and everyone can breathe again

You say, they’ve done studies
on all this – and concluded
that three and a half
equals a hook and that beauty
is symmetrical

But I think people
are most beautiful
when one eye is crooked
or obviously smaller
than the other
(it’s usually the left)
I prefer the lived-in look, I guess—
inhabited




Jeanine Deibel is an MFA Candidate in Poetry at NMSU where she teaches Creative Writing and works as an editor for Puerto del Sol.

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